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・ Joseph-Alexandre Crevier
・ Joseph-Alexandre Müller
・ Joseph-Alexis Dufresne
・ Joseph-Alexis Stoltz
・ Joseph-Alfred Archambeault
・ Joseph-Alfred Dion
・ Joseph-Alfred Foulon
・ Joseph-Alfred Mongrain
・ Joseph-Alfred Mousseau
・ Joseph-Alphida Crête
・ Joseph-Alphonse Esménard
・ Joseph-Alphonse Langlois
・ Joseph-Alphonse-Omer de Valbelle
・ Joseph-Alphonse-Paul Cadotte
・ Joseph-Anaclet Habel
Joseph-André Motte
・ Joseph-André Taschereau
・ Joseph-André-Mathurin Jacrau
・ Joseph-Anne de Valbelle de Tourves
・ Joseph-Anne-Marie de Moyriac de Mailla
・ Joseph-Antoine Bell
・ Joseph-Antoine Boullan
・ Joseph-Antoine de La Barre
・ Joseph-Antoine Froelicher
・ Joseph-Antoine-Charles Couderc
・ Joseph-Armand Bombardier
・ Joseph-Armand Choquette
・ Joseph-Armand Landry
・ Joseph-Arsène Bonnier
・ Joseph-Arthur Bernier


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Joseph-André Motte : ウィキペディア英語版
Joseph-André Motte


Joseph-André Motte (6 January 1925 – 1 June 2013) was a French furniture designer and interior designer and ranks among the most influential and innovative figures of post-war French design.
Joseph-André Motte was born in Saint-Bonnet-en-Champsaur (southeastern France in the Hautes-Alpes).
After passing his ‘baccalauréat’, he studied at the École des Arts Appliqués in Paris (École nationale supérieure des arts appliqués et des métiers d'art), where he graduated in 1948 at the top of his class.
His career can be divided into two different stages: furniture design up to the end of the 1960s and interior design thereafter.
==Furniture design==

In the period after World War II (1939–45) there was increased interest in using new methods and materials for mass production of furniture. Manufacturers of materials such as Formica, plywood, aluminum, and steel sponsored the salons of the ''Société des artistes décorateurs''. Designers who exhibited their experimental work at the salons in this period included Motte, Pierre Guariche, René-Jean Caillette, Jean Prouvé, Charlotte Perriand, Antoine Philippon and Jacqueline Lecoq.
Motte began his career as a furniture designer at the Bon Marché, one of the oldest Parisian department stores and cooperated with Marcel Gascoin’s workshop.
In 1954, he founded his own agency and co-founded the ''Atelier de Recherche Plastique'' (Studio for Plastic Research) with Michel Mortier and Pierre Guariche.
His prolific career let him rise to the top of postwar designers whose mission was to refurnish French homes with industrial materials and contemporary style, integrating modern forms with conventional techniques, using traditional and modern materials: rattan, foam, plastic, Formica, plywood, stainless steel, and glass.
Motte’s projects covered a global range of furniture and furniture accessories:
* Office furniture,
* Chairs,
* Tables,
* Lights,
* Sanitary and heating facilities.
Some of his most famed chairs are the
* Tripod Chair (1949),
* Catherine Chair, (1952),
* Sabre Chair (1954),
* 740 Chair (1957),
* 770 (1958).〔http://www.artnet.com/artists/joseph-andré-motte/past-auction-results〕
He participated in many exhibitions such as ''Salon des artistes décorateurs'', ''Salon des arts ménagers'' and ''Universal exhibition Brussels Expo’58''.

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